Recently,
the word awkward has started dominating our media worlds. Adverts, programmes,
news articles, and novels have all given space to this word. There's a movie
about it, songs about it, Facebook, tumbler and reddit pages dedicated to it,
and much more. But what is it?
I
asked this question on my Facebook page a while ago and a friend of mine and
fellow ex-Cambridge inmate - Dawn Jackson Williams (her blog can be found here) - suggested that this might be a new emotion, perhaps even a 'found'
emotion. So I thought I'd give it a closer look.
Could Awkward be an emotion?
Let’s
start by asking if it actually is an emotion by in turn asking ‘what is an
emotion anyway?’ I'll have a look at the research and find a universally
defined definition of emotion by which we can evaluate it.
Well,
this is awkward. There doesn't seem to be one.
Richard Shweder's suggestion that it is 'an essentially
contested concept' is pretty much on the money. It could be a neural
impulse that leads to survival behaviour, or sexual behaviour. Neuroscience says it's just types of pleasant
on unpleasant sensation centred around the limbic system;
a neurochemical 'step-up' of the lizard brain in
our mammalian brain. Paul Ekman has given us seven characteristics of
emotions while some say emotions are sociocultural constructions, some that
they are linguistic constructions, and some that they are a feed back loop to
alert people to their state in the world. The bottom line is there is little
that researchers agree on other than these things are feelings that we have.
They then get more confused when concepts like affect and mood and sensation
and passion get added to the mix. It's all a bit of a mess, really.
So how can we unknot this coital cluttering? Let’s try a
few definitions and see if it fits.
Awkward as Ekman’s characteristics
1. Automatical appraisal: we
realise we are feeling awkward without prompt, so that’s okay.
2. Commonalities in antecedent events: only
certain things can cause the sensation of ’awkward’.
3. Presence in other Primates:
Hard to say; the usual response is ‘needs testing’, so I’ll go with that.
4. Quick
onset: pretty much instantaneous, I’d say.
5. Brief
Duration: well, it doesn’t linger.
6. Unbidden
occurrence: yep, it happens suddenly alright.
7. Distinctive
physiology: now this one is interesting, I’ll come back
to it later.
I’d say it passes the Ekman test. I’d also say it is a
sociocultural construct, and it is extremely linguistic in nature and while any
evolutionary benefit is difficult to find; I’m sure a canny evolutionary psychologist
out there can think of one. I would, then, say it is an emotion.
What is
Awkward, then?
Linda Davidoff says it’s all about physiology:
heartbeats, facial expressions, crying, shaking and so on. Like I mentioned
above, Awkward has its physiological element. It seems to involve sweating, feeling
uncomfortable with that bit of a squirm. When used in humour we see the pupils
dilate of the person who triggers the emotion, the palms become sweaty, all
those involved desperately trying to avoid each others’ gaze, and a sudden
aversion to physical contact. It also has elements similar to fear; a flight or
freeze mechanism (sometimes fight?) kicks in to all who experience it, and it
HAS to be a group experience, even if the cause is just one person. It is an inherently
social emotion.
This
a social emotion as it is never felt by just one person, even though it is strongest
in the person who causes it. If it happens when you are alone, it has to be shared or it remains simple embarrassment. It may be brought about, as Dawn suggested, by a
social networking generation, unsure of the boundaries of interpersonal
contact; triggered when someone is thought to over step the line. Sort of a
mass version of short-term Asperger’s Syndrome when those only used to online
interaction misread or simply misunderstand the boundaries. As soon as those boundaries have been
crossed, the emotion is felt, first by those around the person who crosses the
barrier and soon after by that person, with a little more intensity. The
negative aspects seem to die down quite quickly, as the amusement takes over;
this is a reason it is not embarrassment. Firstly, you can be embarrassed about
something no one else notices. This isn't the case of awkward. And secondly, to
be embarrassed is rarely to be part of a funny moment. Sometimes hours, months,
years, or even decades can pass, and remembering the embarrassing thing you did
will still cause you to take a deep breath, and bite down on your knuckle (come
on, we’ve all got one of those memories!). Awkward, however, seems to become
funny almost straight away and remain funny thereafter. Nine times out of ten
anyway.
It
appears, therefore, to be a mix of group embarrassment and humour, but it is
also tinged with and feelings of both belongingness and separation. The
belongingness comes from the communal nature of that ‘awkward moment’, shared by
those in it, and the loneliness is found in the individual who feels the
awkwardness. As it becomes funny, it draws the individual and the group
together, ultimately acting as a source of in-group bonding; some may even
suggest a right of passage.
And
that’s all I have so far, and that is somewhat phenomenological.
Towards an Emotion of Belonging
So what,
you may ask? Well, Ute Frevert in Emotions, Lost and Found (Central European University Press, 2011)
suggested the idea of Lost and Found emotions, emotions that are lost from
cultural view ether in intensity or altogether – such as ‘honour’, and some
that change into another emotion with some shared characteristics but
ultimately quite different specifics – such as the movement from ‘acedia’ to
‘melancholia’ to ‘depression’, or from ‘shell shock’ to “PTSD’. Awkward is a
‘found’ emotion, a new emotion, brought about by changes in the way people live
and, as Monty Python said in the Life of Brian: ‘Reg, it’s perfectly simple,
all you’ve got to do is go out of that door now ... It's happening, Reg!
Something's actually happening, Reg! Can't you understand?!’
This is
a call to arms to Anthropologists, Sociologists, Psychologists, Media Theorists,
Modern Historians, those involved in cultural studies, and any other interested
parties. Right now, there is the opportunity to study the birth of what may
well be a brand new emotion. What this can tell us about emotions, across the
disciplines, may be huge, or may be little, but it will certainly be interesting.
Lets do
this, someone. Lets grasp the nettle, hook the fish from the barrel, and strap
it across whatever strappy clichéd metaphor you can think of.
Or would
that just be a little too awkward?
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